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A Manhattan appeals court decided to go ahead with a $45 million lawsuit against DiCaprio by actor and screenwriter for allegedly encouraging his friends in a street fight with Wilson over advances DiCaprio's friends made toward Wilson's girlfriend,, outside the midtown Manhattan restaurant Asia de Cuba in the early hours of May 4, 1998. In 2004, the lawsuit was dismissed. Judge Paula Omansky said the lawsuit could proceed against a fourth man, Todd Healy, who admitted to hitting Wilson, though Healy claimed the move was in self-defense when he thought he saw Wilson reaching for something, possibly a weapon. In dismissing the action against DiCaprio, the jurist said Healy never heard the actor's alleged remark, and therefore could not have been incited by it. Purchased a unit in Manhattan's new, eco-friendly Riverhouse development in Battery Park, paying $3,665,700. Other real estate holdings include: A 1765-square-foot house on Carbon Beach in Malibu that he purchased in 1998 for $1.6 million.

A 2633-square-foot house in the Malibu Colony that he purchased in 2002 for exactly $6 million. A 4551-square-foot house in the Bird Streets area of Los Angeles' Hollywood Hills that he bought in late 1999 for $2,515,000. A 3980-square-foot house in the Bird Streets area of Los Angeles' Hollywood Hills (next door to the one mentioned above) that he purchased in the summer of 2003 for $3,780,000.

A two-bedroom, 2374-square-foot contemporary-style oceanfront house in Malibu, California that he paid $6.350 million for in 2007. And in Las Vegas, he spent $1.5 million for two adjacent two-bedroom units at Las Vegas's Panorama Towers in 2004. While attempting to travel to St. Petersburg, Russia to attend the International Tiger Conservation Forum as a guest of the World Wildlife Fund (WWF), but he was held up not once, but twice by flights.

Dec 21, 2014 - 1 min - Uploaded by eckladenDarsteller: Liam Neeson, Maggie Grace, Famke Janssen, Rade Serbedzija; Regie.

The first, Delta Flight 30, which departed from JFK bound for Moscow, was forced to make an emergency landing back at JFK shortly after takeoff due to engine flame out and malfunction, later his replacement flight had to make an unscheduled landing in Helsinki, Finland to refuel due to strong winds over the Atlantic ocean that used up the plane's fuel. Prime Minister of Russia, Vladimir Putin, who hosted the event, acknowledged that a lesser man, 'could have read it as a sign - that it was not worth going,' but instead Leo, who's late grandparents were Russian, made it to the summit and gained Putin's respect. The summit's aim is to double wild tiger populations worldwide from 3,500 to 7,000 by 2022.

Petersburg, DiCaprio committed $1 million to WWF for urgent tiger conservation efforts through his Fund at the California Community Foundation. [November 2010]. As of 2016, Leo has been nominated for 38 different awards (6 Academy Awards, 4 BAFTA Awards, 11 Golden Globe Awards, 9 Screen Actors Guild Awards, 7 Critics' Choice Awards and 1 Emmy Award), but has only won 3 Golden Globes (the first was for (2004) in 2005, the second for (2013) in 2014 and the third for (2015) in 2016), 1 SAG Award (for The Revenant), 1 BAFTA award (for The Revenant) and 2 Critics' Choice awards (the first for The Wolf of Wall Street in 2014 and the second for The Revenant in 2016). He won his first Oscar for The Revenant on February 28, 2016, on his fifth acting nomination and 22 years after his first nomination for (1993). A 8-bit web-game titled 'Leo's Red Carpet Rampage' was released in February 16, 2016 by British multimedia group The Line Animation. The game places a miniature animated Leonardo DiCaprio in a never-ending quest to reach the end of the red carpet where his Oscar awaits him.

It featured a series of challenges involving DiCaprio's career: paparazzis, the iceberg that sinks (1997), the Quaalude overdose from (2013), the bear from (2015), his competitors for the Best Actor Oscar, write an acceptance speech, find the black nominee, etc. The game racked up 6,000 plays per minute two hours after the official launch and quickly spread around the world, inexplicably finding its largest audience in Russia. My mom and I lived at Hollywood and Western, a drug-dealer and prostitute corner. It was pretty terrifying. I got beat up a lot. I saw people have sex in the alleys. I remember I was five years old, and this guy with a trench coat, needles and crack cornered me.

Early on, seeing the devastation on my block, seeing heroin addicts, made me think twice about ever getting involved in drugs. Once you take that step and experiment, drugs can take over your life.

You are not yourself anymore. That's something I never wanted. I didn't have a lot of friends growing up. It was kind of just me and my parents. But because of them, the neighborhood did not have a bad effect on me.

My dad introduced me to artists, and every few months we'd go to some hippie doo-dah parade as Mudmen in our underwear, carrying sticks and covered in mud. My mother did everything to get me into the best schools she could find.

[on the nude scene in (2008)] - is one of my dearest friends. We have the ultimate trust in each other and the best of intentions for what we want to do. I knew Kate before [her husband] even met her.

So on the outside, it may seem strange to do a sex scene with a woman while her husband is directing. But it didn't feel that way to me. When the scene was about to start, Kate said, in front of the crew, 'Wait, wait, this is totally weird'. She turned to both Sam and I and said, 'Are you guys okay?' We both looked at each other and said, Yeah, we're totally fine.

She said, 'It's even weirder that you're both totally fine'. [on fame after (1997)] - It wasn't the era of penetrating Internet paparazzi that we have now. But my name wasn't me anymore. I was sort of this thing. Kate felt it, too. But a lot of the attention was on me because of the teenage girls who repeatedly went to see the movie.

I had the blond hair, and I was Jack Dawson, this heroic figure. So I set up everything in my personal life to rebel against that image in order to strip it down. I had a lot of fun stripping it down.

But ultimately, that knocked me a few rungs down the ladder. [on his influence in Hollywood and producing] I am never going to act again, yeah (laughs). No, I have a production company that all stemmed from 10 years ago wanting to be able to develop my own material because I just wasn't finding things I got excited about.

It all stemmed from (2002) and searching that out and saying, 'Well, if I was able to search this out and I got to be able to work with on this project, there has got to be other projects out there that maybe the studios aren't paying attention to.' [2010 - On relaxing outside films] I go out and have a drink every once in a while. Ooh, I know that's controversial, isn't it?

I sometimes go on a vacation, too. I take what I do very seriously, and when I'm on the set that's all I focus on, so my vice is to hang out with my friends and talk about absolutely nothing of importance whatsoever and act like a complete idiot because I've got to filter out a lot of the serious stuff I'm dealing with all the time. It's like therapy to just be a complete idiot with my friends and it's fantastic. [on making (2010) and director ] I don't know what I'm supposed to say about it, but it's Chris Nolan delving into dream psychoanalysis and also making a high octane, action-filled, surreal film that is all spawned from his mind. He wrote the entire thing, and it all made sense to him. It didn't make much sense to us when we were doing it, and we had to do a ton of detective work to try to figure out what the movie was and what we were doing from day to day, but, thank God, we had somebody who knew what he was doing. [on how he dealt with post- (1997) youth] I got to be wild and nuts, and I didn't suffer as much as people do now, where they have to play it so safe that they ruin their credibility.

I didn't care what anyone thought. It was also about avoiding the tornado of chaos, of potential downfall. My two main competitors in the beginning, the blond-haired kids I went to audition with, one hung himself and the other died of a heroin overdose. I was never into drugs at all. There aren't stories of me in a pool of my own vomit in a hotel room on the Hollywood Strip.

During Gilbert Grape [ (1993)] I didn't know where I was gonna go as an actor so I didn't know what types of movies I wanted to do. I just felt like doing a movie is doing a movie. I get money and fame, and that's great, and I can act and have fun. And I was up for a movie called (1993) with, and I knew it was awful, but it was just like, 'Okay, they're offering me more and more money. Isn't that what you do? You do movies and you get more and more money.'

But something inside of me kept saying, 'Don't do this movie.' And everyone around me was saying, 'Leonardo, how could you not take a movie?' And I said to myself, 'Okay, I'll audition for this movie Gilbert Grape. If I don't get that, I'll do Hocus Pocus.' I found myself trying so hard, investing so much time and energy in Gilbert Grape, I worked so damn hard at it and I finally got it, and it was like such a weight off my shoulders.

(On landing (1993)) When I was fifteen, I got this amazing opportunity to audition for this plum role opposite and in This Boy's Life. Before that, it was The New Lassie or a Bubble Yum commercial. They were using the mustard-jar scene in the audition. De Niro was going up to the kids with this almost empty mustard jar and cramming it into their faces, really pushing the kids' buttons. The scene was being used to see if the kid could stand up to De Niro, and it was hard not to be overwhelmed. When he started bludgeoning me, I completely overcompensated. He said, 'Is this empty?

Is this empty?' I slapped the jar out of his hand, got right up in his face, and screamed at the top of my lungs, 'Noooooooo!' It was the most god-awful way to do the scene. I was supposed to be the victim, not the antagonizer, and there was complete silence. De Niro looks at me and goes, 'Heh, heh, heh, heh, heh', in that way only De Niro can laugh.

'That was good. That was goooood. A little over-the-top but good'. My audition was supposed to go on, but they just stopped it.

Even though De Niro said he liked it, I left the room thinking, Oh, shit, I'm a laughingstock. Getting that part felt like winning the lottery. Sometimes you've got to go to the wrong place just to show that you're not afraid to go there.

[on (1991)] There's going to be a wider gap between the independent genre filmmaking and the big budget, sort of spectacle movies. And the movies that are a hybrid of those two things - that have deep content in them and that also have some scope - will kind of dissolve away. I see that happening more and more in the industry, it's either like: 'This is a regurgitation of films you've seen a thousand times that work. Or you can take a chance and do a really low budget, small movie and see how it turns out.' [on working with ] I grew up a fan of the Golden Age of cinema which, to me and all of my friends, was the '70s and the great age of films where the director had control. We got to see some of the most memorable films and performances of all time during that era and everything since then has always been a reversion and comparison back to those films.

Any one of my friends, whenever we talk about movies, we always reference something from the '70s. And to me, the greatest cinematic partnership maybe of all time, and certainly of that time period, was De Niro and Scorsese. In a lot of ways, they were a part of my upbringing and my childhood, as far as being a fan of cinema. So to get to work with him, being of completely different generations -- we just have a shared understanding that we're out there to do the same thing.

I think that's taken a while to truly understand on his part -- not a while but, I mean, it's been a culmination of more and more trust with one another. And, in a lot of ways, I think [ (2013)] is the result of being able to work with each other on our films before it. We were not going to try to do something in a traditional sense in this film. We'd been given the opportunity to make a film that was going to hopefully be outrageous and daring and push the envelope a little bit. So it wasn't necessarily a dialogue about what type of movie we wanted to do after the experiences that we've had together.

At this point, it was just about us reminding one another, with very specific character decisions or plot points. But, just to backtrack a little, I understand his mentality, too.

You have to understand: This man is the greatest admirer of cinema as an art form of anyone you'll ever meet, and there's nothing in his life that he doesn't reference cinema to. He lives and breathes this. He's got such an admiration and appreciation for what's been done in the past. And he's got that hunger in him, as well, and that excitement for us to just be able to do the type of films that we want to do. The fact that, through the years now, we've trusted one another to know that we're not doing anything for our own self-interest -- it's more about making the best, most original movie we can -- has been an incredible experience for me. And I don't stop learning.

I mean, every time I'm on set with him I learn more about the reason I make movies and the reason I'm an actor than anything I've ever done. [on getting awards attention for (2013)] Of course it would be meaningful. I think everyone wants to be recognized by their peers, absolutely, without question. But, the truth of the matter is you learn very quickly you have absolutely no control of what critics or audiences are going to think.

You really just have to do everything you can to make the best film. That's the one thing that I do know. But, of course, you know, I would love for this film on all fronts to get some attention because there's only been two films in my entire career that I've really developed myself, really championed to get financed and got a director involved with, and that's been (2004) and this. And so, in a lot of ways -- and I hate to use the term -- those two are my 'babies.' Those were the films that I really did everything I possibly could to get made in the right way. And I think that they're very difficult movies to pull off, especially with this one, a film that opens yourself and the movie up to a lot of criticism. So to get any kind of recognition would be amazing for this, absolutely.

[on why he doesn't want to direct films] I've been so blessed to work with some great filmmakers, that I'm probably cursed to probably ever work as a director myself. I don't think I would be able to compare to what I've seen.

There are so many things that come into play when you make a movie. I really don't know how they do it. The truth is, the one thing I regret, if anything, in my long career having worked with the likes of Alejandro [] and Marty [] is not be able to be a voyeur and stand aside and watch what they do, because I'm only concerned about what the hell I'm doing every single day. (.) But it would have been wonderful to have someone document all the great experiences I had and learn from the decisions. That's what you have to look for when you work with these directors. It's these tiny little decisions that change something from being mundane.

[28 February, 2016, his Oscar acceptance speech] Thank you all so very much. Thank you to the Academy, thank you to all of you in this room. I have to congratulate the other incredible nominees this year for their unbelievable performances. The Revenant was the product of the tireless efforts of an unbelievable cast and crew I got to work alongside.

Download Full Movie Bhag Milkha Bhag In 3gp here. First off, to my brother in this endeavor, Mr. Tom Hardy Tom, your fierce talent on screen can only be surpassed by your friendship off screen. Alejandro Innaritu, as the history of cinema unfolds, you have forged your way into history these past 2 years. Thank you for creating a transcendent cinematic experience. Thank you to everybody at Fox and New Regency.my entire team. I have to thank everyone from the very onset of my career.to Mr. Jones for casting me in my first film to Mr.

Scorsese for teaching me so much about the cinematic art form. To my parents, none of this would be possible without you. And to my friends, I love you dearly, you know who you are. And lastly I just want to say this: Making The Revenant was about man's relationship to the natural world. A world that we collectively felt in 2015 as the hottest year in recorded history. Our production needed to move to the southern tip of this planet just to be able to find snow. Climate change is real, it is happening right now.

It is the most urgent threat facing our entire species, and we need to work collectively together and stop procrastinating. We need to support leaders around the world who do not speak for the big polluters, but who speak for all of humanity, for the indigenous people of the world, for the billions and billions of underprivileged people out there who would be most affected by this. For our children's children, and for those people out there whose voices have been drowned out by the politics of greed. I thank you all for this amazing award tonight. Let us not take this planet for granted. I do not take tonight for granted.

Thank you so very much. (2016) I get unhappy doing things that I'm not passionate about, because I feel like I'm squandering this incredible gift I've been given to finance films.

As soon as my name alone was enough to make this happen, I vowed to myself that I was going to work with directors who were changing cinema, doing something important, you know? This goes back to when I was a teenager, feverishly watching movies like Taxi Driver and Apocalypse Now and saying to myself, someday, I'm going to be a part of films like this. Climate change is real, it is happening right now.

It is the most urgent threat facing our entire species, and we need to work collectively together and stop procrastinating. We need to support leaders around the world who do not speak for the big polluters, but who speak for all of humanity, for the indigenous people of the world, for the billions and billions of underprivileged people out there who would be most affected by this. For our children's children, and for those people out there whose voices have been drowned out by the politics of greed.

I am almost 40 years old now, so I'd hope that I wouldn't have to answer to them. I think that the perception of me is still the child actor, so that, you know, people would wonder what my parents thought. But to tell you the truth, it didn't faze them whatsoever. I mean, I was reading underground comics in the back of my dad's station wagon that were much more gratuitous than this at 10 years old, so nothing really affected them on that level. Salary (15) (1993) $75,000 (1995) $150,000 (1995) $1,000,000 (1997) $2,500,000 (2000) $20,000,000 (2002) $18,000,000 + Gross Points (2002) $20,000,000 (2004) $20,000,000 (2006) $20,000,000 (2006) $20,000,000 (2010) $59,000,000 (includes salary and all back-end points off worldwide gross + share of D. Download Film Bakugan Movie. V.D. Revenue) (2011) $2,000,000 (2013) $20,000,000 (2013) $25,000,000 (including bonuses) (2015) $13,000,000.